Noten

Im Original

O magnum mysterium. Charles H. Giffen. A cappella. Sacred , Motet. Language. Latin. SSAT.SATB.ATBB.

Übersetzung

O magnum mysterium. Charles H. Giffen. A-cappella-. Heilig, Motette. Sprache. Latin. SSAT.SATB.ATBB.

Im Original

The music includes mainly twelve tone thematic but also whole tone harmonic material, both of which lend a sense of mystery and reverence as the music unfolds. The twelve tone material is derived from the following tone row, enunciated first in the alto part, then delayed by three measures and inverted, in the bass part, subsequently transposed in the soprano part and tenor part. inverted. et admirable sacramentum, ut animalia viderent Dominum natum. \clef treble \time 2. 2 \tempo 2 48 s1 s s s s s f2. d4 ges4 des \times 2. des c es. fes1. \set Staff. midiInstrument #"string ensemble 2". \\. b,2. gis4 c g \times 2. g fis a. bes1 r4 d,2 f4 e cis dis2 dis1 1 1 f. \new Staff. \clef bass \time 2. 2 b,1 b b b b b b b b. \set Staff. midiInstrument #"string ensemble 2". \\. s1 s s b,2. d4 ais dis \times 2. dis e cis. bis1 r4 gis'2 eis4 fis a g2 g1. \clef treble \time 2. 2 \tempo 2 48 r4 aes2 ces4 bes g a2 a1 a1 a1 a a \tempo 2 60 r2 a2 a4 a a2 1. \set Staff. midiInstrument #"string ensemble 2". \\. 1 r2 2 4 2 1. \new Staff. \clef bass \time 2. 2 f,2. aes4 e4 a \times 2. a bes g. fis1 r4 d'2 b4 c es des2 des1 des1 r2 2 4 2 1. \set Staff. midiInstrument #"string ensemble 2". \\. g1 g1 s s s s s r2 g, g4 g g2 1. The given markings for tempo are approximate and may be adjusted to suit the performance acoustics. The three 4-part groups may be separated by some distance if there is adequate space in the performance venue. The text is the full responsory to the fourth lesson at Matins of Christmas Day and hence includes the short Ave Maria, gratia plena. Dominus tecum that is often omitted in musical settings.

Übersetzung

The music includes mainly twelve tone thematic but also whole tone harmonic material, both of which lend a sense of mystery and reverence as the music unfolds. The twelve tone material is derived from the following tone row, enunciated first in the alto part, then delayed by three measures and inverted, in the bass part, subsequently transposed in the soprano part and tenor part. inverted. et admirable sacramentum, ut animalia viderent Dominum natum. \ Clef Treble \ Zeit 2. 2 \tempo 2 48 s1 s s s s s f2. d4 ges4 des \times 2. des c es. fes1. \ Gesetzt Mitarbeiter. midiInstrument # "aneinander 2". \\. b,2. gis4 c g \times 2. g fis a. bes1 r4 d,2 f4 e cis dis2 dis1 1 1 f. \ Neuen Personal. \ Schlüssel Bass \ Zeit 2. 2 b,1 b b b b b b b b. \ Gesetzt Mitarbeiter. midiInstrument # "aneinander 2". \\. s1 s s b,2. d4 ais dis \times 2. dis e cis. bis1 r4 gis'2 eis4 fis a g2 g1. \ Clef Treble \ Zeit 2. 2 \tempo 2 48 r4 aes2 ces4 bes g a2 a1 a1 a1 a a \tempo 2 60 r2 a2 a4 a a2 1. \ Gesetzt Mitarbeiter. midiInstrument # "aneinander 2". \\. 1 r2 2 4 2 1. \ Neuen Personal. \ Schlüssel Bass \ Zeit 2. 2 f,2. aes4 e4 a \times 2. a bes g. fis1 r4 d'2 b4 c es des2 des1 des1 r2 2 4 2 1. \ Gesetzt Mitarbeiter. midiInstrument # "aneinander 2". \\. g1 g1 s s s s s r2 g, g4 g g2 1. The given markings for tempo are approximate and may be adjusted to suit the performance acoustics. The three 4-part groups may be separated by some distance if there is adequate space in the performance venue. The text is the full responsory to the fourth lesson at Matins of Christmas Day and hence includes the short Ave Maria, gratia plena. Dominus tecum that is often omitted in musical settings.