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Im Original

Trio for Violin, Violoncello and Piano after the Sextet. Johannes Brahms. Cello sheet music. Violin sheet music. Piano Accompaniment sheet music.

Übersetzung

Trio für Violine, Violoncello und Klavier nach dem Sextett. Johannes Brahms. Cello Noten. Violine Noten. Klavier-Begleitung Noten.

Im Original

Trio for Violin, Violoncello and Piano after the Sextet. in B-flat major op. 18. Composed by Johannes Brahms. 1833-1897. Edited by Christopher Hogwood. Arranged by Theodor Kirchner. For violin, cello and piano. Score with parts. Published by Baerenreiter Verlag. BA.BA9441. In addition to Barenreiter's scholarly-critical editions of Brahms' trios, an arrangement of Brahms' String Sextet op. 18 for piano trio by his contemporary and friend Theodor Kirchner is now being published. Simrock, Brahms' publisher, issued it in 1883. Brahms responded to the arrangement of his sextet with total enthusiasm and praise for the skills of his friend Kirchner. Christopher Hogwood's scholarly-critical edition includes an introduction which sheds light not just on the history of the arrangement and its validity in its own right, but also on Kirchner and his relationship to Brahms.

Übersetzung

Trio für Violine, Violoncello und Klavier nach dem Sextett. in B-flat major op. 18. Komponiert von Johannes Brahms. 1833-1897. Herausgegeben von Christopher Hogwood. Von Theodor Kirchner angeordnet. Für Violine, Violoncello und Klavier. Ergebnis mit Teilen. Veröffentlicht von Baerenreiter Verlag. BA.BA9441. In addition to Barenreiter's scholarly-critical editions of Brahms' trios, an arrangement of Brahms' String Sextet op. 18 for piano trio by his contemporary and friend Theodor Kirchner is now being published. Simrock, Brahms' publisher, issued it in 1883. Brahms hat auf die Anordnung von seinem Sextett mit insgesamt Begeisterung und Lob für die Fähigkeiten seines Freundes Kirchner. Christopher Hogwood's scholarly-critical edition includes an introduction which sheds light not just on the history of the arrangement and its validity in its own right, but also on Kirchner and his relationship to Brahms.