Noten $12.95

Im Original

Polonaise Brillante No. 1. Polonaise de Concert. , Op. 4. Henri Wieniawski. Violin Solo sheet music. Piano Accompaniment sheet music.

Übersetzung

Polonaise Brillante No. 1. Polonaise de Concert. , Op. 4. Henri Wieniawski. Violin Solo Noten. Klavier-Begleitung Noten.

Im Original

Polonaise Brillante No. 1. Polonaise de Concert. , Op. 4. Violin & Piano Heifetz Collection. Composed by Henri Wieniawski. 1835-1880. For Violin, Piano Accompaniment. LKM Music. Lauren Keiser Music Publishing #S511020. Published by Lauren Keiser Music Publishing. HL.141930. ISBN 1581061943. 9x12 inches. In 1848, the thirteen year old Henryk Wieniawski wrote the first sketches to his Polonaise in D major. The composition was published in Germany in 1853 as Polonaise de Concert in D major op. 4 for violin with piano or orchestra accompaniment. When the work was re-published in Paris. 1858. , the title changed to “Polonaise Brilliante”. Tremendously popular already during the composer's life time, this work has been on the repertory of virtually every virtuoso violinist ever since. This new Critical Urtext Edition corrects obvious misprints while keeping the format of the 1853 first edition, printing the textural changes on the Paris version as foot notes.

Übersetzung

Polonaise Brillante No. 1. Polonaise de Concert. , Op. 4. Violin & Piano Heifetz Collection. Komponiert von Henri Wieniawski. 1835-1880. Für Violine, Klavier-Begleitung. LKM Musik. Lauren Keiser Music Publishing #S511020. Veröffentlicht von Lauren Keiser Music Publishing. HL.141930. ISBN 1581061943. 9x12 Zoll. In 1848, the thirteen year old Henryk Wieniawski wrote the first sketches to his Polonaise in D major. The composition was published in Germany in 1853 as Polonaise de Concert in D major op. 4 for violin with piano or orchestra accompaniment. When the work was re-published in Paris. 1858. , the title changed to “Polonaise Brilliante”. Tremendously popular already during the composer's life time, this work has been on the repertory of virtually every virtuoso violinist ever since. This new Critical Urtext Edition corrects obvious misprints while keeping the format of the 1853 first edition, printing the textural changes on the Paris version as foot notes.