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Im Original

Sackingen op. 103 f. Bertold Hummel. B-Flat Trumpet sheet music. Percussion sheet music. Timpani sheet music.

Übersetzung

Säckingen op. 103 f. Bertold Hummel. B-Trompete Noten. Percussion Noten. Timpani Noten.

Im Original

Sackingen op. 103 f. Music for 6 trumpets, timpani. doubling sizzle cymbal. Composed by Bertold Hummel. 1925-2002. For brass instruments, timpani and cymbal. This edition. SHS 3008. Saddle-stitch. Orchestra Music. Schott Harmony Series. Grade 4. Score. Composed 2000. 24 pages. Duration 10 minutes. Published by Schott Music. SD.49019050. ISBN 9790001172219. The title of this piece refers to the place of the world premiere, Bad Sackingen, where the members of the European Trumpet Guild gathered in November 2000. Bertold Hummel was commissioned to compose a piece for that occasion. The composer used six trumpets from the bass trumpet to the piccolo trumpet, complemented by the bassoons only. The three movements are rich in contrast. in the second movement the listener is caught unawares by an 'echo' of Luther's 'Ein feste Burg ist unser Gott'. A well-known modern melody appears in the last movement, is processed and quickly leads to a dramatic finale. Hummel always knew how to write the perfect piece for every occasion or performer, how to capture the audience and how to always remain true to his personal style.

Übersetzung

Säckingen op. 103 f. Music for 6 trumpets, timpani. doubling sizzle cymbal. Komponiert von Bertold Hummel. 1925-2002. Für Blechbläser, Pauken und Becken. Diese Ausgabe. SHS 3008. Sattelstich. Orchester-Musik-. Schott Harmonie-Reihe. Grade 4. Partitur. Komponiert 2000. 24 Seiten. Dauer 10 Minuten. Veröffentlicht von Schott Music. SD.49019050. ISBN 9790001172219. The title of this piece refers to the place of the world premiere, Bad Sackingen, where the members of the European Trumpet Guild gathered in November 2000. Bertold Hummel was commissioned to compose a piece for that occasion. The composer used six trumpets from the bass trumpet to the piccolo trumpet, complemented by the bassoons only. The three movements are rich in contrast. in the second movement the listener is caught unawares by an 'echo' of Luther's 'Ein feste Burg ist unser Gott'. A well-known modern melody appears in the last movement, is processed and quickly leads to a dramatic finale. Hummel always knew how to write the perfect piece for every occasion or performer, how to capture the audience and how to always remain true to his personal style.