Noten $26.95

Im Original

Sinfonia in D major. Wilhelm Friedemann Bach. Piano and Keyboard sheet music. Viola sheet music. Violin sheet music.

Übersetzung

Sinfonia in D-Dur. Wilhelm Friedemann Bach. Klavier und Keyboard Noten. Viola Noten. Violine Noten.

Im Original

Sinfonia in D major composed by Wilhelm Friedemann Bach. 1710-1784. Edited by Peter Wollny. For 2 Violin, Viola, Basso Continuo. This edition. Paperbound. Full score. Language. Italian. C-Inc. 16. 12 pages. Published by Carus Verlag. CA.3230500. ISBN M-007-13728-1. With Language. Italian. Orchestral music played a significant role in the output of Wilhelm Friedemann Bach. In his early years as a professional organist at the Sophienkirche in the Saxon capital Dresden. 1733-1746. , he developed his own unmistakable personal style in a series of ambitious concertos and sinfonias. The surviving body of W. F. Bach's sinfonias has been affected by considerable losses. The Sinfonia in D major. BR-WFB C-Inc. 16. , published here for the first time, was attributed to both Johann Sebastian Bach and Carl Philipp Emanuel Bach, however on stylistic grounds, it is more likely attributable to W. F. Bach.

Übersetzung

Sinfonia in D-Dur von Wilhelm Friedemann Bach. 1710-1784. Herausgegeben von Peter Wollny. For 2 Violin, Viola, Basso Continuo. Diese Ausgabe. Broschiert. Partitur. Sprache. Italienisch. C-Inc. 16. 12 Seiten. Veröffentlicht von Carus Verlag. CA.3230500. ISBN M-007-13728-1. Mit Sprache. Italienisch. Orchestral music played a significant role in the output of Wilhelm Friedemann Bach. In seinen frühen Jahren als professioneller Organist an der Sophienkirche in der sächsischen Landeshauptstadt Dresden. 1733-1746. , he developed his own unmistakable personal style in a series of ambitious concertos and sinfonias. The surviving body of W. F. Bach's sinfonias has been affected by considerable losses. The Sinfonia in D major. BR-WFB C-Inc. 16. , published here for the first time, was attributed to both Johann Sebastian Bach and Carl Philipp Emanuel Bach, however on stylistic grounds, it is more likely attributable to W. F. Bach.