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Im Original

Jump Caprice. Benny Goodman. Guitar sheet music. B-Flat Trumpet sheet music. Clarinet Solo sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Advanced.

Übersetzung

Jump Caprice. Benny Goodman. Gitarre Noten. B-Trompete Noten. Klarinette solo Noten. Drums Noten. Percussion Noten. Noten für Klavier. Posaune Noten. Fortgeschritten.

Im Original

Jump Caprice by Benny Goodman. By Mary Lou Williams. Edited by Jeffrey Sultanof. Arranged by Mary Lou Williams. For big band. Clarinet Soloist, 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 3 Trombones, Guitar, Piano, Bass, Drums. Written for Benny Goodman. Swing. Difficult. Score and parts. Published by Jazz Lines Publications. JL.JLP-8820. Williams wrote Camel Hop and Roll 'Em for Benny Goodman while she was still with Andy Kirk's band, and in late 1946, Williams started writing for him again. At the time, he had his own radio show with pianist Victor Borge, and in 1947, he would begin a new recording contract with Capitol Records. Goodman recorded Williams's Lonely Moments and Whistle Blues. She also wrote this arrangement of Jump Caprice. however, it was not played. It is probable that this piece was a bit too hip for him, although by 1948, Mary Lou would write several boppish arrangements for a Goodman small group with Benny and Stan Hasselgard. the group also included tenor saxophonist Wardell Gray. This is a straight forward blues with lots of altered harmonies typical of the bop style of the forties. It can be opened up for solos.

Übersetzung

Jump Caprice by Benny Goodman. Von Mary Lou Williams. Herausgegeben von Jeffrey Sultanof. Von Mary Lou Williams Arrangiert. Für Big-Band. Clarinet Soloist, 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 3 Trombones, Guitar, Piano, Bass, Drums. Written for Benny Goodman. Schaukel. Schwierig. Partitur und Stimmen. Veröffentlicht von Jazz-Linien Veröffentlichungen. JL.JLP-8820. Williams schrieb Camel Hop and Roll 'Em für Benny Goodman, während sie mit Andy Kirk Band war immer noch, und Ende 1946 begann Williams wieder mit dem Schreiben für ihn. Zu der Zeit hatte er seine eigene Radio-Show mit dem Pianisten Victor Borge, und im Jahr 1947, hatte er einen neuen Plattenvertrag bei Capitol Records beginnen würde. Goodman recorded Williams's Lonely Moments and Whistle Blues. She also wrote this arrangement of Jump Caprice. however, it was not played. It is probable that this piece was a bit too hip for him, although by 1948, Mary Lou would write several boppish arrangements for a Goodman small group with Benny and Stan Hasselgard. the group also included tenor saxophonist Wardell Gray. This is a straight forward blues with lots of altered harmonies typical of the bop style of the forties. It can be opened up for solos.