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Im Original

Le nozze di Figaro KV 492. Wolfgang Amadeus Mozart.

Übersetzung

Le nozze di Figaro KV 492. Wolfgang Amadeus Mozart.

Im Original

Le nozze di Figaro KV 492. Die Hochzeit des Figaro. Composed by Wolfgang Amadeus Mozart. 1756-1791. Edited by Kurt Pahlen. This edition. SEM 8007. 6th edition, 2005. Books. Librettos. Operas of the world. Text. libretto. Text language. Italian - German. 345 pages. Duration 180 minutes. Published by Schott Music. SD.49041675. ISBN 9783254080073. With Text language. Italian - German. La folle journee ou La mariage de Figaro' is the title of a stage play by Pierre Augustin Caron, called Beaumarchais, which caused a sensation in Paris at the beginning of the 1780s. In this 'sequel' of 'The Barber of Seville', Beaumarchais zeroed in on numerous deplorable circumstances in absolutist France. Admittedly, Mozart's librettist Lorenzo Da Ponte could not adopt the subject matter for an opera that was to be performed at a house under the control of the Austrian Emperor with all its acerbity, but he managed to write a sparkling libretto which was crested by Mozart's incomparable music. Apart from the libretto, this edition contains introductory commentaries of Kurt Pahlen who also adds information on the compositional structure and context to the musical as well as external and internal dramatic action of the opera. A short synopsis and a brief outline of the genesis bring the work into relation with the composer's entire oeuvre and life, thus offering a comprehensive, richly illustrated introduction.

Übersetzung

Le nozze di Figaro KV 492. Die Hochzeit des Figaro. Komponiert von Wolfgang Amadeus Mozart. 1756-1791. Herausgegeben von Kurt Pahlen. Diese Ausgabe. SEM 8007. 6th edition, 2005. Bücher. Librettos. Opern der Welt. Text. Broschüre. Textsprache. Italienisch - Deutsch. 345 Seiten. Dauer 180 Minuten. Veröffentlicht von Schott Music. SD.49041675. ISBN 9783254080073. Mit Textsprache. Italienisch - Deutsch. La folle journee ou La mariage de Figaro' is the title of a stage play by Pierre Augustin Caron, called Beaumarchais, which caused a sensation in Paris at the beginning of the 1780s. In this 'sequel' of 'The Barber of Seville', Beaumarchais zeroed in on numerous deplorable circumstances in absolutist France. Admittedly, Mozart's librettist Lorenzo Da Ponte could not adopt the subject matter for an opera that was to be performed at a house under the control of the Austrian Emperor with all its acerbity, but he managed to write a sparkling libretto which was crested by Mozart's incomparable music. Neben dem Libretto enthält diese Ausgabe einführende Kommentare von Kurt Pahlen, der auch fügt Informationen über die kompositorische Struktur und Kontext musikalischen sowie externen und internen dramatische Handlung der Oper. Eine kurze Inhaltsangabe und ein Abriss der Entstehungsgeschichte stellen das Werk in einen Zusammenhang mit dem Gesamtschaffen und Leben des Komponisten und bietet damit eine umfassende, reich illustrierte Einführung.