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Im Original

Tarik O'Regan. Two Emily Dickinson Settings. Sheet Music. Soprano. Tenor. SATB. SOP. TEN. SATB. Tarik O'Regan.

Übersetzung

Tarik O'Regan. Zwei Emily Dickinson Einstellungen. Noten. Sopran. Tenor. SATB. SOP. TEN. SATB. Tarik O'Regan.

Im Original

Written for Soprano and Tenor soloists and SATB chours. These two short Emily Dickinson. 1830-1886. settings, commissioned by Craig Hella Johnson and Conspirare for their September 2007 concert series in Texas, were designed to frame an evening’s programme rather like a compositional ‘inhalation’ and ‘exhalation’, a crescendo and decrescendo or a prelude and postlude. Densely textured, the music aims to hint at the myriad readings Dickinson’s surface-simple poetry yields in its many readers. Each setting uses a solo soprano and tenor, their voices referencing the polarities inherent in each poem. ‘sun’ and ‘shade’. ‘love and hate’.

Übersetzung

Written for Soprano and Tenor soloists and SATB chours. Diese beiden kurzen Emily Dickinson. 1830-1886. settings, commissioned by Craig Hella Johnson and Conspirare for their September 2007 concert series in Texas, were designed to frame an evening’s programme rather like a compositional ‘inhalation’ and ‘exhalation’, a crescendo and decrescendo or a prelude and postlude. Densely textured, the music aims to hint at the myriad readings Dickinson’s surface-simple poetry yields in its many readers. Jede Einstellung wird ein Solo-Sopran und Tenor, ihre Stimmen Referenzierung der Polaritäten dass in jedem Gedicht. ‘sun’ and ‘shade’. ‘love and hate’.