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Im Original

Henri Tomasi. Mireille's Tomb, for Galoubet, Piccolo or Oboe, with Tambourine, Toneless Snare Drum or Piano. Sheet Music. Henri Tomasi.

Übersetzung

Henri Tomasi. Mireille's Tomb, for Galoubet, Piccolo or Oboe, with Tambourine, Toneless Snare Drum or Piano. Noten. Henri Tomasi.

Im Original

French composer and conductor, Henri Tomasi. 1901-1971. published Mireille's Tomb in 1959. As with his other compositions, Mireille's Tomb for Galoubet. Pipe. , Piccolo or Oboe, with Tambourine, Toneless Snare Drum or Piano was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions. Mireille's Tomb is a highly unusual and modern work, not only in instrumentation, but in its use of varying time signatures, complex rhythms and a range of performance directions. The composition exploits tonality, rhythm and structure amongst other aspects. However, this Tomasi piece, suitable for advanced instrumentalists, provides an exciting, alternative addition to the ensemble repertoire.

Übersetzung

Französisch Komponist und Dirigent, Henri Tomasi. 1901-1971. published Mireille's Tomb in 1959. As with his other compositions, Mireille's Tomb for Galoubet. Rohr. , Piccolo or Oboe, with Tambourine, Toneless Snare Drum or Piano was well-received by audiences. Tomasi wurde in Marseille geboren, aber sein Vater und Mutter waren ursprünglich von La Casinca in Korsika. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. Doch im Jahre 1921, begann er sein Studium am Pariser Konservatorium und ging auf eine hochkarätige Komponist und Dirigent zu werden. Tomasi vergaß nicht seine korsische Strecken, die oft mit Themen der Songs hatte er gelernt, während der Sommer mit seiner Großmutter in seinen Kompositionen. Mireille's Tomb is a highly unusual and modern work, not only in instrumentation, but in its use of varying time signatures, complex rhythms and a range of performance directions. The composition exploits tonality, rhythm and structure amongst other aspects. However, this Tomasi piece, suitable for advanced instrumentalists, provides an exciting, alternative addition to the ensemble repertoire.