Composers

Charles Dancla

Violin
Piano
Cello
Viola
Voice
Orchestra
Soprano
Organ
Tenor
Pump organ
Duet
Piece
Étude
Fantasia
Quartet
For beginners
Variation
Trio
Dance
Method
by popularity

#

12 Original Duos, Op.18715 Studies for Violin, Op.682 Violin Duos, Opp.19, 2020 Études brillantes et caractéristiques, Op.7324 Scales and Melodies, Op.1153 Concert Solos, Op.773 Duos brillants, Op.643 Duos faciles, Op.1173 Duos, Op.1243 Duos, Op.153 Duos, Op.233 Duos, Op.243 Duos, Op.253 Duos, Op.323 Duos, Op.333 Duos, Op.343 Duos, Op.353 Duos, Op.603 Duos, Op.613 Duos, Op.623 Morceaux de différents caractères, Op.1483 Petites symphonies concertantes, Op.1093 Pieces for 4 Violins, Op.1783 Romances sans paroles, Op.573 Violin Sonatas, Op.13836 Études mélodiques, Op.846 Airs variés, Series I, Op.896 Airs variés, Series II, Op.1186 Petites fantaisies faciles, Op.1266 Petites pièces, Op.1636 Petits divertissements, Op.1066 Petits trios faciles et concertants, Op.99

A

Andante et petit rondeau, Op.154Andante mélodique, Op.214Andante religioso, Op.186Andantino et polonaise brillante, Op.112Ave Maria

D

Duos faciles et progressifs pour deux violons

F

Fantaisie brillante sur 'La Fille du Regiment', Op.144Fantaisie brillante sur 'Robert le diable', Op.147Fantaisie-caprice sur 'Faust', Op.133

H

Hommage à l'amitié, Op.66

I

Impromptu, Op.184Introduction et Rondeau-Caprice, Op.182

L

La charmille, Op.135La fille aux oiseauxLa Promesse, Op.223La Réunion, Op.203La Vision!, Op.185Le carnaval de Venise, Op.119Le mélodiste, Op.86Le semainier du jeune violoniste, Op.144Le Souvenir, Op.58L'école des cinq positions, Op.193Les bagneraises, Op.16Les perles d’Italie, de France et d’Allemagne, Op.107bisLes premiers aveuxLes rayons d'or, Op.27

M

Méthode élémentaire et progressif

N

Nouvelle école de la mélodie

P

Petite école de la mélodie, Op.123Petite école de la mélodie, Op.129Petites pièces mignonnes, Op.149Piano Trio No.2, Op.37Piano Trio No.4, Op.51

R

Résignation, Op.59Rigodon, Op.206

S

Séparation, Op.183Simple histoire, Op.166Solo de concours No.7, Op.224Souvenir du Théâtre Italien, Op.83String Quartet No.1, Op.5String Quartet No.12, Op.142String Quartet No.4, Op.41String Quartet No.5, Op.48String Quartet No.6, Op.56String Quartet No.7, Op.80Symphonie concertante No.4, Op.98Symphonie Concertante, Op.198

T

Theme and VariationsTrio brillant, Op.22

V

Variations brillantes sur 'Le carnaval de Venise', Op.120Variations on 'Ah! vous dirai-je, maman!', Op.161

É

École de l'accompagnement, Op.175École du mécanisme, Op.74
Wikipedia
(Jean Baptiste) Charles Dancla (19 December 1817 – 10 October 1907) was a French violinist, composer and teacher.
Dancla was born in Bagnères-de-Bigorre. When he was nine years old, violinist Pierre Rode in Bordeaux heard his music; he was so impressed that he sent a recommendation letter to Pierre Baillot, Luigi Cherubini and Rodolphe Kreutzer. Thus Dancla went to the Paris Conservatory and studied with Baillot for violin and Fromental Halévy for composition. He was strongly influenced by Niccolò Paganini, whom he heard in 1830, as well as by Henri Vieuxtemps. From 1835 onward Dancla was solo violinist in the Paris Opéra, and shortly thereafter he became concert master. In 1857 he was made a professor at the Paris Conservatory where he was a successful teacher for over 35 years. He died in Tunis.
His two brothers were Arnaud Dancla (1819–1862), cellist and author of a considerable cello teaching method, and Leopold Dancla (1822–1895), violinist and composer of chamber music.